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15th February 2017

Brighton Festival launches the 2017 programme

A host of events from Guest Director Kate Tempest

The full programme for Brighton Festival 2017 - the largest annual, curated multi-arts festival in England - was unveiled today with the acclaimed recording artist, poet, playwright and novelist Kate Tempest as Guest Director. 

At a political and social moment that feels particularly precarious, Kate Tempest's programme (6-28 May 2017) celebrates what she calls the ‘Everyday Epic' - art that helps us connect to ourselves and others, explores our individual stories and differences, and encourages audiences to take a walk in someone else's shoes. In her words: “Art is social. It should be a part of life. No big deal – just life itself.”

Kate Tempest will perform in a host of special Brighton Festival events including: an exclusive opening gig of music and spoken word; a poetry evening in which she appears alongside the likes of fellow Picador poets Hollie McNish and Glyn Maxwell; and a live orchestration of her recent album Let Them Eat Chaos, produced in collaboration with Oscar-nominated artist Mica Levi, who also brings her acclaimed live score of Under the Skin to the Festival. 

Kate Tempest
Kate Tempest

A series of outdoor sight-specific works will include For the Birds, an intricate light, sound and kinetic sculpture trail experienced as an immersive night-time adventure through a woodland location, the UK premiere of Five Short Blasts: Shoreham, a maritime journey on the River Adur created by Australian artists Madeleine Flynn and Tim Humphrey in collaboration with Shoreham's water communities; Depart, an ethereal promenade performance through a cemetery from Yaron Lifschitz and his internationally acclaimed circus company, Circa; and SPECTRA:CAST, an interactive installation from artist duo Walter & Zoniel that will transform Brighton beach into a giant canvas as audiences register their views on a variety of subjects by casting multi-coloured stones onto it. 

Story-telling in all its forms is celebrated in a number of events such as The Gabriels, Tony-award-winning playwright Richard Nelson's extraordinary depiction of one American family, written and set in real time during the turbulent US election year; Anna and Elizabeth's revival of the ancient tradition of ‘crankies', cloth and cut-paper scrolls depicting stories and scenes from the great ballads unfurled to musical accompaniment; spoken word nights from cult collectives Apples and Snakes and Bang Said the Gun; a new co-commission by Andy Smith & Fuel, Summit, performed in British Sign Language and English by a cast of three; and No Dogs no Indians, the world premiere of three intertwining stories exploring the effects and legacy of the British in India by poet and playwright Siddhartha Bose to mark the 70th anniversary of Indian independence. 

The power of the arts to ‘activate our empathy'and pose questions about how we view the ‘other'is examined through works such as They/Onlar, ipek Duben's multi-screen installation which explores the division lines of gender, ethnicity and sexuality in Turkish society; the world premiere of Brighton-based choreographer and designer, Theo Clinkard's This Bright Field, a major new commission which sees audiences share the stage with thirteen exceptional performers for a captivating and intimate event examining perspective and attention; Collisions, Lynette Wallworth's thought-provoking Virtual Reality film experience which puts audiences directly into the life-changing moment when indigenous Martu Elder Nyarri Nyarri Morgan a witnessed an atomic test – his first encounter with Western culture; and Breaking the Spell of Loneliness, George Monbiot and Ewan McLennan's musical exploration of loneliness and social isolation. 

Brighton Festival 2017 sees two new ventures: The Storytelling Army, a dynamic collective of people from all walks of life who will be performing in unexpected locations around the city from bus stops to supermarkets, and Your Place, a diverse line-up of mixed arts programmed in partnership with Brighton People's Theatre, Festival artists and local residents in the Hangleton and Whitehawk communities. These join regular free, participatory events such as the annual Children's Parade, City Reads and Young City Reads; and Weekend Without Walls, two days of free arts in the parks; and a new initiative which encourages audiences to Pay-It-Forward by donating £5 on top of their ticket price which will be match-funded by Brighton Festival to create a £10 Festival ticket voucher for someone unable to afford the opportunity.

Other Brighton Festival 2017 highlights include a special performance from legendary folk singer Shirley Collins; a new adaptation of Swan Lake from Michael Keegan-Dolan; genre-defying Meow Meow joins forces with Orchester der Kleinen Regiment for an exclusive Brighton Festival performance; a major new co-commission from sculptor Cathie Pilkington; US performance artist turned rapper Mykki Blanco's punk and riot grrrl influenced hip hop; Kneehigh's acclaimed production of Emma Rice's staging of Tristan & Yseult; BBC Young Musician 2016 Sheku Kanneh-Mason performing with the Chineke! Orchestra; and two special events to mark the 450th anniversary of the birth of Monteverdi - II Combattimento from Christophe Rousset and his ensemble Les Talens Lyrique, and a selection of the composer's sacred music from vocal ensemble I Fagiolini.

"I feel very humbled to have been given the opportunity to guest direct Brighton Festival. This year's theme, Everyday Epic, seems to encapsulate some of my feelings about how music, literature and poetry can give us back our lives. Singing, playing, dancing, moving, painting life and communicating about that in public spaces - it requires no qualifications, no training to enjoy it. It's truthful communication between humans about humanity and in these times, it feels more important than ever to try and understand what that humanity is and what it could be. So please go and see as much as you can. Approach it like an epic. Like you are a pilgrim on a quest and something may well happen in the theatre, the pub, the community centre, the concert hall that will smash you back to feeling and land you in your skin again.”
Kate Tempest


 
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